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Books
Every book guide we have written.
The Future of Another Timeline by Annalee Newitz: history as contested ground
One of the better uses of time travel in recent science fiction, because it treats the past as something still being fought over rather than a fixed museum. Read it for the argument.
Symphony of Destruction by Ken Goudsward: a ship coming apart
A lean, mean survival story that understands its own shape. The isolation is used well and the friction between the survivors gives it a second engine. Read it in a couple of sittings.
Sword by D. Rebbitt: a fleet learning how to attack
Fleet combat with a real sense of cost. Read it for the tactics and the command politics, and start the series at book one rather than here.
Machine World by B. V. Larson: Earth’s only export is its soldiers
Fast, pulpy military science fiction that knows exactly what it is. Read it for McGill and the pace, having started at book one.
Lasso by Mike Coville: asteroid mining is a job, not an adventure
A grounded thriller that makes asteroid mining feel like a real job. Read it for competence, contracts and corporate politics rather than chosen ones and prophecy.
Trust A Few by E.M. Swift-Hook: what is left when the memory is gone
A slow-burning, character-driven space opera about identity and loyalty. Read it for the moral tangle rather than the battles, and accept that it sets more than it settles.
The South Tower by Alex Canna: one hour, over and over
A short, tense time-loop story that treats a real tragedy with care. Read it for the tension and the argument about complacency, and expect to think about the real events it is built on.
The Last Marines by Lawrence N. Oliver: two hundred years too late
A man-out-of-time military story with a genuinely good hook. Read it for the premise and the two leads, and go in forgiving of the prose.
Eyes of the Void by Adrian Tchaikovsky: the Architects come back
A middle book that widens the board instead of treading water. Strong politics, a genuinely strange unspace and a crew worth following, but it is book two of three and it assumes you did the reading.
Fahrenheit 451 by Ray Bradbury: the fireman who starts reading
Short, sharp and still uncomfortable. Read it for the argument about distraction rather than the one about censorship, because the argument about distraction is the one that aged best.
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